The Raja Saab-Akhanda Thaandavam sailed in the identical boat

The Raja Saab starring Prabhas which just lately launched and Akhanda Thaandavam which launched final 12 months, repeated the identical errors and turned out to be colossal disasters.

Each had the potential to develop into blockbusters however the makers fallacious selections modified the fortunes. Had the movies been taken retaining the sensitivities and sensibilities of Telugu film lovers after which thought-about different markets as the additional surge, issues would have been completely different on the field workplace.

Nevertheless, the makers of each the movies went in for extravaganza, shored up the price range, laid extravagant units and went out of their technique to impress North film lovers making modifications within the story. Many scenes have been forcibly included to draw North film lovers and this killed the soul of the movie. The makers left the Telugu nativity and originality and went for international enchantment and burnt their palms.

Particularly within the second half of each the movies that is seen clearly. The makers modified the second half for Hindi market and this slowed the tempo of the narration. As a substitute of together with mass components and comedian scenes that enchantment to Telugu film lovers they tried to elaborate the scenes to North film lovers and this impacted the floww of the narration.

That is the principle cause for the failure of Akhanda Thaandavam. The movie lacked the Akhanda’s mass vitality and Balakrishna’s mass roar didnot join chords with the North film lovers. The identical occurred with The Raa Saab. Native comedy is put aside for common enchantment and this turned out to be a disappointment.

The makers failed to understand the adage ‘ Assume Native, Go International’ and forgot how Kantara and different movies succeded in different markets.